![logo[2] logo[2]](http://augustasupple.com/wp-content/uploads/2012/02/logo2.gif)
Ah… writers… some of my favourite people. And playwrights – my favourite – whom I refer to as “sociable hermits.” Playwrighting is one of the most difficult writerly forms because it is so collaborative. more…
![logo[2] logo[2]](http://augustasupple.com/wp-content/uploads/2012/02/logo2.gif)
Ah… writers… some of my favourite people. And playwrights – my favourite – whom I refer to as “sociable hermits.” Playwrighting is one of the most difficult writerly forms because it is so collaborative. more…

OK. Let’s talk about new work.
There seems to be a bit of discussion around plays – new plays and old plays, adaptations, reinventions, notions of “Australian” work, “new Australian plays”, the issues of the development of plays, the question of new play production. Discussions about women playwrights and their representation in main stage theatre programs… there’s even discussions about classic plays – and the Australian canon… more…
![20090604000247[1] 20090604000247[1]](http://augustasupple.com/wp-content/uploads/2009/11/200906040002471.jpg)
There’s alot of change at the moment- well- I am sure there is always alot of change- its just I have the time to notice it at the moment. There are movements in the theatre sector- Artistic directors announced, seasons launched, programs developed and changes- the theatre, the biological microcosm that it is- is expanding, dying off, burning, growing epicormic shoots, and its all in the natural course of things- natural selection.
It would be terribly amiss of me not to acknowledge one significant change I will feel the loss of and that is the ceasing of the regular (and not so regular) writings of Nicholas Pickard aka Sydney Arts Journo. more…
2011: A Year in Review/s
Well thank goodness that’s over! I don’t know about you, but 2011 was a weird one. more…