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How often do we get a blokey, football focused new Australian play on stage?
Not often. more…

As a long time fan and follower of Lachlan Philpott’s writing – yes let me list them for you – Catapult, Colder, Bison, Bustown this is perhaps one of the most anticipated productions noted in my diary. Directed by Lee Lewis Associate Director/Literary Advisor of the Griffin Theatre, Silent Disco is the 2009 Griffin Award-winning play and makes it’s debut at the Stables. It’s exciting to see a company dedicate not only an award, but the truly rewarding exciting prize of production to Australian playwrights. I’ve always said, if its worth an award it’s worth a production.
A chain link fence. The city skyline traced in plastic cups. Shall we begin? more…

She starts. more…

The new Ross Mueller play at the Sydney Theatre Company has already nearly completely sold out, so rumour has it. And all I am going to say is BLOODY AWESOME! more…

You may have noticed I’ve not been out and about as much as usual. The reason is because I have been observing for The National Play Festival. more…

It’s not easy taking a punt on a new play, and the scariest punt imaginable is the play which is absolutely positively new and from an absolutely positively new writer. In this case the sleight of hand is interesting: and the context is interesting. The Griffin Theatre Company and Sydney Theatre Company have joined forces to produce Anthony Weigh’s new play “Like a Fishbone.” more…

Where are the women?
Booking their tickets to the 2009 Philip Parsons Memorial Lecture.
Perhaps we should all wear white- as to show up against the black seats of the theatre incase there is any misconception that we are invisible.
We are visible.
We have vision.
more…
Short Form Theatre – What is it good for?
It’s not a secret. There is an abundance of short form theatre proliferating on Sydney stages. And it’s not just in the independent and amateur sector – with two of Sydney’s main stage companies turning to short form theatre to fill their season – Sydney Theatre Company’s Money Shots (6, 15 minute plays about money) and Belvoir’s The Kiss four short plays bundled together from Australia and beyond to examine The Kiss. more…