I love this picture. I love that it is an emblem of my first show containing all seven writers of 7-On Playwrights collective. more…
Tag Archive for 'Phil Spencer'
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If there is one thing I know for certain, it is that Christmas is one of the most difficult days of the year. The lead up is nearly unbearable – constant glitter and sparkles and fairylights and images of a poor but happy Jewish family nursing a blonde boy lying in straw, or worse – a rosy cheeked Coca-cola Santa winking with his all-knowing judgement. It’s a stressful time of year. And to be honest, I don’t like it.
Luckily, the latest offering from Phil Spencer’s pen (or printer cartridge) is not Christmas Day – more…
In the post-traumatic haze of Trapture – an hour or so later – I ventured into the land of new works in development at the Old Fitz. I am without a program – I don’t know how I missed out but I did – and so this is not really a review or a response more of an FYI for the new work hunters who couldn’t make it along… more…
Since April, I have been reading, researching, approaching playwrights… It’s what I spend most of my time thinking about… I talk to them, I read plays, I see plays, I hang out at playwriting courses… I see readings, I hold readings… all in the name of BRAND SPANKING NEW. more…
Last Saturday night, under a clear dark blue sky, fifty people stood on the street in Chippendale, waiting for the latest showing at Queen Street Studio to start. Busy talking amongst themselves, it took a while for the audience to notice the elephant walking towards them- holding a sign which said:
“4am”
and another that said
“Follow Me”
We made our way en masse under the roller door of Studio 10- into a new world. Or a familiar world re-invented by the artists within.
more…
The Old Fitzroy Hotel theatre (aka The Fitz) is a much loved Sydney Independent Theatre. Full of its own charms and challenges as a venue- but one of the true champions of new Australian work. Programmed by Leland Keane and with dedicated team of practitioners (Lucinda Gleeson and Phil Spencer- this is a nod in your direction) running the company. There is something grungy, urgent and fun about heading to the theatre… and this year, I think I have attended this theatre more than any other. Primarily because I am keen to support writers- and it is a great space for practitioners to come together and forge new work in front of an audience. There have been excellent Fringe- transplants this year: namely The Chronic Ills of Robert Zimmerman aka etc and Death In Bowengabbie by Caleb Lewis… and a couple of more wild and experimental shows (you know the ones I am talking about). Anyway- it’s a great venue and I am a fan. more…
It’s an exciting time for Sydney’s independent artists.
An exciting time for those who are brave enough to throw themselves into the big, deep unknown.
It’s an exciting time for those teams who have been in rehearsal the last 4 weeks, refining and developing their scripts for the first taste of the Sydney Fringe… in the Off the Shelf showing this weekend… more…
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In eight days time, Sidetrack Theatre will be hosting the first week of Stories from the 428. In under 3 months, two groups (a cluster perhaps?) of 8 writers will have created two full length works – which have been auditioned for by 150 actors, rehearsed by 8 directors and finally staged at Sidetrack Theatre, in the Addison road centre…
Largely this has been a playground for theatre practitioners: writers- given permission to write hatever they want (to a maximum of 12 minutes) and know that whatever they offer, will be staged. Directors- given actors, time, space and scripts with which to work. Actors- given a chance at being a part of an exclusive Australian premiere. Designers- given the chance and the challenge to create for 32 vignettes…
Over the past 6 weeks, I have been asked “where did the idea for this project come from?” and “what’s it about”… to which I take a deep breath and reply- community. more…
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It’s true that I spend a good deal of my time looking for, creating projects for, promoting new writing talent. In the last 3 years I have created 3 independent projects (Metamor/phases, Brand Spanking New, Stories from the 428) and a script development hothouse (Off the Shelf) culiminating 64 opportunities for writers/directors/actors to develop/practice/ showcase their art. In the middle of all of this- working a full time job, maintaining my relationship and writing for myself and for a company in Canada when I can. I’ve tried to create opportunities that I would want – places of experimentation, colleagiate regard as opposed to competition, places where work can be written, developed and produced within a year (yes- how novel!). How delighted I was when Phil Spencer contacted me about putting a little something forward for Cut and Paste! more…
Straight from the Horse’s Mouth | Autobiography in the theatre
November was a busy month. Lots of shows on. Lots to direct. Lots to see. And amongst that was Novemberism -a brand new festival for playwrights that seemed to pop out of nowhere, containing a collection of collectives, writing opportunities and conversations. On one of the many Saturdays of Novemberism, I struggled in the swelter of a slow-to-start summer to The Old 505 Theatre. I went in search of a panel discussion on Auto/biography in theatre, hosted by John McCallum and with contributions from Kate Mulvany (The Seed), Rebecca Clarke (Unspoken), Noelle Janaczewska (Good with Maps) and Phil Spencer (Bluey). more…