![Boxing_Day_feature-565x340[1] Boxing_Day_feature-565x340[1]](http://augustasupple.com/wp-content/uploads/2011/09/Boxing_Day_feature-565x3401.jpg)
If there is one thing I know for certain, it is that Christmas is one of the most difficult days of the year. The lead up is nearly unbearable – constant glitter and sparkles and fairylights and images of a poor but happy Jewish family nursing a blonde boy lying in straw, or worse – a rosy cheeked Coca-cola Santa winking with his all-knowing judgement. It’s a stressful time of year. And to be honest, I don’t like it.
Luckily, the latest offering from Phil Spencer’s pen (or printer cartridge) is not Christmas Day – more…

Since April, I have been reading, researching, approaching playwrights… It’s what I spend most of my time thinking about… I talk to them, I read plays, I see plays, I hang out at playwriting courses… I see readings, I hold readings… all in the name of BRAND SPANKING NEW. more…

Last Saturday night, under a clear dark blue sky, fifty people stood on the street in Chippendale, waiting for the latest showing at Queen Street Studio to start. Busy talking amongst themselves, it took a while for the audience to notice the elephant walking towards them- holding a sign which said:
“4am”
and another that said
“Follow Me”
We made our way en masse under the roller door of Studio 10- into a new world. Or a familiar world re-invented by the artists within.
more…

It’s an exciting time for Sydney’s independent artists.
An exciting time for those who are brave enough to throw themselves into the big, deep unknown.
It’s an exciting time for those teams who have been in rehearsal the last 4 weeks, refining and developing their scripts for the first taste of the Sydney Fringe… in the Off the Shelf showing this weekend… more…
![n280096293552_9159[1] n280096293552_9159[1]](http://augustasupple.com/wp-content/uploads/2010/02/n280096293552_91591.jpg)
It’s true that I spend a good deal of my time looking for, creating projects for, promoting new writing talent. In the last 3 years I have created 3 independent projects (Metamor/phases, Brand Spanking New, Stories from the 428) and a script development hothouse (Off the Shelf) culiminating 64 opportunities for writers/directors/actors to develop/practice/ showcase their art. In the middle of all of this- working a full time job, maintaining my relationship and writing for myself and for a company in Canada when I can. I’ve tried to create opportunities that I would want – places of experimentation, colleagiate regard as opposed to competition, places where work can be written, developed and produced within a year (yes- how novel!). How delighted I was when Phil Spencer contacted me about putting a little something forward for Cut and Paste! more…

This is not a review: more of an internet-note on a show I saw last night at The Old Fitzroy Hotel in Woolloomoolloo: Bluey by Phil Spencer and directed by Scarlet McGlynn. more…
Straight from the Horse’s Mouth | Autobiography in the theatre
November was a busy month. Lots of shows on. Lots to direct. Lots to see. And amongst that was Novemberism -a brand new festival for playwrights that seemed to pop out of nowhere, containing a collection of collectives, writing opportunities and conversations. On one of the many Saturdays of Novemberism, I struggled in the swelter of a slow-to-start summer to The Old 505 Theatre. I went in search of a panel discussion on Auto/biography in theatre, hosted by John McCallum and with contributions from Kate Mulvany (The Seed), Rebecca Clarke (Unspoken), Noelle Janaczewska (Good with Maps) and Phil Spencer (Bluey). more…