
I’m going to come out in the open and admit something. I love doing my tax. more…

I’m going to come out in the open and admit something. I love doing my tax. more…

Ever engaging, ever provocative Currency House’s Platform papers are an invaluable source of information, encouragement, cultural dreaming and just the right amount of intellectual dissent – and Number 26 “Not Just an Audience- Young People Transforming Our Theatre” isn’t any different. more…

AUDITION CALL: OPEN WORKSHOP
16 April, 2-4pm at Shopfront Contemporary Arts & Performance
for artists ranging between 12-25 years old to create a brand new multi-media performance on the theme of Change and Consequence. more…

It’s well after the fact but I thought I would write a little note about MINTO: LIVE – not really as a means of review – but to raise awareness about performance which happens where you least expect it. It’s not a press-sexy topic really is it? I think the daily telegraph did a pre-show feature: http://www.dailytelegraph.com.au/specials/sydney-festival-2011/streets-ahead-in-minto-for-sydney-festival-for-minto-live/story-fn7fmlou-1225988944747 But largely this style of work is often left out of critical debate, or even discussion… but then again, arts commentary in Sydney, if not Australia is relegated to a very minute slice of the print press pie (is it 350 words for the Blake’s reviews) and unless it features the glossy stars of film, TV or theatre of yore – you won’t find a huge amount of coverage or commentary on community theatre, or performance made by and for and about specific communities. more…
Ah Zombies. I must admit- have a soft spot for Zombies- In fact, I kind of admire them: They know what they want and they won’t let being dead get in their way of acheiving it. I, just like Zombies, have an insatiable appetite for brains… the difference being, I seek them out for conversational purposes- zombies are more inclined to see them as a snack. more…