Posts Tagged ‘Stephen Wilkinson’

No Nudity, Weapons or Naked Flames | Mayday Playwrights Festival

GetInline copy

So when life gives you lemons, you’ve got a choice.
You can either sit there staring at the lemons wondering what it means to be given a lemon, or wishing it was different: a cumquat perhaps… perhaps a bicycle or a love letter…


You can start making lemonade. Read more

Political Hearts of Children | Subtlenuance at the Tap Gallery (Downstairs)


Subtlenuance is one of those rare companies that continues to contribute to the landscape of Sydney’s independent theatre scene. Most companies start, produce and finish before a significant body of work or practice can be established. This is not the case of subtlenuance – and I can’t help but have the impression that there is a strong intention to continue making – and providing opportunities to young and emerging writers – opportunities that just don’t materialise outside of the tight machinery of larger institutions. And I can’t praise them enough for that – as I firmly believe that it takes an audience to make a writer. Read more

That Year/ This Year | A year in review/ A year a head


My 2012 started with playing guitar on the riverbanks of a small NSW coastal town. No, not in public. Not even close to the public. A free barbeque area and the occasional fizz of an illegal backyard firework in the near distance, a few singlet-shirted boys (drunk and mouthy) were as close to “the public” as I got… I was sitting with two men, two guitars waiting for my year to begin. I thought of how my “year off” (2011) had failed – busier than ever, I had managed to mend my broken heart, direct too many shows, write, speak publicly about issues and ideas that keep me up late at night.

My start to 2012 was a lot like teenage love: naive, full of star gazing and fumbling about on guitars.

The start to 2013 found me gently sobbing to perfect voices soaring through Gale Edwards’ production of La Boheme at the Sydney Opera House. Thanks again to kind Mr Waites, who yet again, furthered my education in opera – we consumed all the canapés and drinks we could handle and rubbed shoulders with his contemporaries/my heroes of Australian theatre. As the sky exploded in splashes of ecstatic decadence – I was in awe of the contrast of the previous year.

My start to 2013 was a little more sophisticated, a little less naïve.

I have been absent from the Blogosphere – you’ve noticed? It’s been a necessary hiatus but now in revision. Read more

At NIDA with 7-ON Playwrights for Platonic


Recently, whilst hosting a conversation with a group of playwrights for The Riverside Theatres the Writers night (as a part of A View From Moving Windows) I outted my long enduring love of/for Nick Parsons (Australia’s much loved tall-as-a-sky-scraper screen/stage writerly mountains dwelling gent) citing the first time we spoke and our consequent developing friendship.

Afterwards I continued along the line up of writers describing my love of them all… Of course it wasn’t long before Parsons noted “you seem to love a lot of people”… and indeed I do. Playwrights are my rock stars, I adore them. I love them as people, drinking buddies, collaborators, friends, philosophers, coffee dates – collectively and individually. Read more

Gifted by Catherine Zimdahl | Play reading at The Arts Platform


I adore Catherine Zimdahl. Read more

Griffringe: Boys’ Night by Luke Carson


Today Griffin Theatre Company is once again openning its doors to the independent and emerging theatre artists of Sydney. More than ever there seems to bea tightening of circles in Sydney – more than a few times in the last week I have been told by actors that there is a feeling of hopelessness in the air about local artists having access to space and companies, with so many companies choosing Melbourne-based artists (and shows) to work in Sydney theatres. Perhaps the grass is greener on the otherside of the fence, but that doesn’t mean you shouldn’t water your own back yard. Read more

Not a Review of Women Power Culture – Then & Now | New Theatre

wpc web

This is not a review.

It can’t be. It’s unfortunate that the little tab on my site says “Reviews” when really this is not a review. it’s a post. Well perhaps it might be a review of sorts as I re-view the past month or so working on my pieces for Women Power Culture. I am viewing it – or responding to the questions I have been asking myself about many things. Read more

Terminus | Abbey Theatre & Sydney Theatre Company

Terminus by Mark O'Rowe,

It was one of those grey washed winter Sydney days when I made my way to see Terminus – I had heard the buzz around town and had flirted briefly with buying tickets. Read more

Return top

Augusta Supple

Sydney-based theatre director, producer and writer. This site is about my long, deep, bright-eyed, ever-hopeful, sometimes difficult, always invigorating, rambunctious, rebellious, dynamic and very personal relationship with Australian Arts and Culture... I reflect on shows, talks, essays, writing, artists that inspire me to say something, and you'll find out what I'm working on, who I'm working with and what inspires me.